Tag Archives: Criticism

Haibun, “Pride Before Fall” – writing process

 

Three drafts of a haibun, for those of you who like to analyze writing to pieces. If that sounds awful to you, just read the last one (in bold), since it’s the final draft.

 


First draft: stream of consciousness. Passionate, but lacking cohesion. Doesn’t really make sense here and there. Many repeated words.

 

I drive through a frosted urban landscape. A sudden cold has passed through in the night. The grass is fuzzed white with frost.

It’s the tail end of the changing colors. The more vibrant trees, shocked, have dropped their leaves on the sidewalk. Heaps of vibrant color piled under the trees. No one yet has walked through them and disturbed the perfection of their distribution. The leaves coat the sidewalk an inch thick, pour over the curb and into the street, forming a perfect ombre circle underneath each tree. Only the most vibrant trees, the ones with the most to lose, have collapsed this way. As I drive by, they are still raining steady drops of color.

A death so graceful and extravagant, it looks like a wedding.

 

 


Second draft: the first draft edited to death. Reordered some, added some explanatory and expository phrasing. Rewrote most repetitive usages of “tree” “leaf” and “color.” 

Turned out awfully proper, don’t you think? I actually liked it a lot. But it doesn’t read easy.

 

Early morning. A cold snap passed through in the night, leaving the grassy urban landscape fuzzed white with frost.

It’s the tail end of the changing colors. Many trees have already gone leathery, taking the chill with stodgy, taciturn dormancy, blinking against the freeze, half asleep, withdrawn. The prouder, full-feathered trees, vulnerable by virtue of their vitality, shocked by the abrupt weather change, have dropped half their heavy pride overnight. Heaps of vibrant color pile on the sidewalk under the trees in crisp lemon yellow, or blushing peachy orange. Untossed by wind, untrod by morning commuter, nothing yet has disturbed the perfection of their distribution. Leaves coat the pavement an inch thick, pour over the curb and into the street, forming perfect ombre circles. 

Even as I drive by, they still steadily rain drops of brightness.

 

a death so graceful

and extravagant, it looks 

just like a wedding.

 

 


Went to lunch, came back, rewrote from scratch. The parts that stuck in my head were the keepers. I already had lots of alternate words in my head so I didn’t have to worry so much about repeating too much. It has more passion and flow like the first draft, while also retaining some of the form and vocabulary of the second draft.

 

The trees are raining color.

A cold snap has passed through, fuzzing the grass with frost. Most of the older trees sensed the turning of the seasons, and have already gone leathery and mute; they squinted through the onslaught as the first of many, prepared for the siege of winter. The young maples and honey locusts, vivacious and blustering in ostentatious reds, yellows, and peachy oranges, have suffered a setback. They lost leaves at an astounding rate: half of their burden dropped in one night. The sidewalks underneath them are buried in brightness, inches deep. Unable to contain the bounty, it spills over the curb and onto the road.

No people have passed through. No playful wind has yet mussed the heaps. The trees drip their pride, leaves falling fast like vibrant rain.

 

a dignified death

generous, extravagant

feels like a wedding

 

 


 

Aw crap. I looked at it too long and now I don’t like this draft either. Maybe I like the second one better. I couldn’t decide and that’s why I posted them all, under the guise of a “writing process” post. Tricked you.

Well, that’s the process. Now do what I do! Go out there and write something you won’t like!

 

 

 

 

 

 

 

 

 

 


 

 

 

On Finding Your Voice, sort of

People keep asking my advice lately.

Lol wut.

Well, I guess it’s fine. But I’m just a pair of eyeballs posing as a human being. Keep your salt shaker handy to liberally season anything I say. I will not be held responsible for the stupid things you do with my advice.

On having a voice:

When I was in writing classes people kept asking the teacher about how to develop their voice. It confused the hell out of me. What is a “voice?” As long as you’re not trying to be anyone else, you’re yourself right?

Unfortunately, I was so confused by the question I never paid attention to the answer. Or maybe the teacher just bullshitted so I forgot what they said. Bullshit answers tend to lay pretty light in the brain. You can remember them talking but not the words they spoke…
I think, though, that I finally learned what they were asking. They were still kids. They were asking the teacher who they were. Poor kids! Poor teacher!

I don’t know much, and everybody is different. What works for me may not work for you. But lately I keep hearing people talking about their inability to be creative. Not having a voice is a similar complaint, in a way. At least, the solution is the same.

Here goes:

Empty your brain. Upend all that garbage and start fresh, empty. Nature abhors a vacuum, right? The second you empty your brain, a thought will rush in to fill it.

This is fine. Use this. Put your pen to paper and start writing.

Writing poetry, for me, is a conversation with my subconscious. I’m always a little bit curious to see what it will say next. What little monster will pop out of the deep Id? What strange conclusion will be drawn from this inauspicious little starter word?

I read once that creative people actually have a stronger link with their subconscious than non-creative people. It’s that little touch of madness… too strong a link makes you unfit to live in a society; too weak a link, you’re a robot I guess. But all you robots, do not despair. If you envy the wobbly reality on this side of things, you can work on breaking down that wall. Start by emptying your brain. Abandon all hope, ye who enter here.

Oh, you’re done emptying your brain already? Now write, or draw. The first random word or phrase that comes to mind, or the first line you draw. Kick it around. Follow where it leads. The Rationalist inside of you will tug on your sleeve and say, “hey… this is stupid, what is this shit?” Grab that rational person and upend them, over and over. You’ve ears only for your muse and her name is Crazy.

There is a thin, thin line between controlling your verbal rabbit chasing, and pure schizophrenic word salads. It’s like controlling a lucid dream. Very fine balancing act.

However, if you can master the art of tapping into your crazy, you will never be creatively blocked. Once I learned how to do this, I wrote my novel. Every time I found myself slowing down, not knowing where to go from here, I turned off my thinking brain and let the schizophrenic lead the leash for a few seconds. She never lets me down. Sometimes she takes me on a really strange, dumb, or unexpected journey, but if I just leave her to her own devices, she’ll sniff out the truffles. I think I mixed some metaphors there… schizophrenics aren’t good at finding truffles. Who knows, maybe they are.

How does this relate to finding your own voice? Well, I’ve always been an oddball, so I’ve always drawn or written odd things. A logical person will write logical things. And a normal person writes normal things. What if you’re ordinary? If you are, guess what? Ordinary people will love you. And there are a lot of ordinary people in the world. You’ll be a hit.

Help, I don’t have a voice! The anguished writer cried aloud, with her loud voice.

Yes, you do. It’s probably not the voice you wished you had. You can’t iron the uniqueness, or the normalness, out of yourself. That’ll only make you sad. Instead, embrace what you are. Accept the flaws. I must accept that I always write free verse with small words, frequently recurring words. Blah blah darkness blah blah time blah blah wild blah blah me I myself me. I get so bored of myself. I want to write like Edgar Allen Poe or Mark Twain, but that’s not happening. I’m too lazy to try, and if I did, it’d be stilted and wrong. It’d be more like an autotuned voice, or a helium voice.

You’ve got to be who you are. You’ve got to write what comes naturally. Don’t try to impress. Stay true. Don’t fake. Don’t act. Relax your mind and find that thin line between rabbit chasing and schizophrenia, and tread the edge. Don’t let the Rationalist hook you away. If you do this when you put pen to paper, then whatever you write or draw is pure untrammeled you. The hardest part is not about finding your voice; you already have it. It can’t leave you. The hardest part is shutting that inner critic up, and accepting the voice that you have.

Edit:: Conversations with these two are what inspired the above post. Read their stuff.

Lille Sparven speaks the raw truth:

www.lillesparven.com/2019/02/censuring-mirror.html?m=1

Paul Sunstone asks the good questions:

https://cafephilos.blog